spider man into the spider verse movie wallpaper

The Mexican director was so taken with the technique that he declared in June: “I only want to do animation.” Across the Spider-Verse is also a testament to the democratisation of film-making among the 1,000 people who contributed was a 14-year-old whose animated Lego characters made it into the final cut. Guillermo del Toro’s remake of Pinocchio as a dark animated musical won this year’s Oscar. First, it entrenches animation as a coming cinematic form – expanding beyond studios such as the child-friendly Pixar and the ethereal output of Studio Ghibli. The movie is also rewriting the script in Hollywood. One of the film’s themes, spread over two hours of dazzling artwork, is how identity is a constant negotiation of race, class, nationality and gender. The main character is African‑Latino Spider-Man, Miles Morales Gwen Stacy’s Spidey endorses trans rights there’s an Indian Spider‑Man with an anti‑colonial outlook living in a Mumbai‑Manhattan hybrid and a pregnant biker Spider‑Woman.

The animated movie, a sequel to 2018’s Oscar‑winning Into the Spider‑Verse, bounces around different universes meeting socially aware, racially diverse superheroes. Such sentiment has been vanquished by the success of Spider-Man: Across the Spider‑Verse, which is currently the biggest film in the US, grossing more than half a billion dollars worldwide in a month. Overall, it is creative, funny, engaging, and exciting for those that get into it and accept it on its own terms.“Go woke, go broke!” encapsulates the schadenfreude that rightwing culture warriors express when art forms that embrace progressive ideals fail commercially. Voice performances also seem to get this, and everyone plays their characters well. Production-wise, it felt like it 'got' the sense of humour of the script and made that work more than it otherwise would have done. The overall design of the film added to this, with good use of music, shot framing, and animation to make it feel very cool and fluid throughout. Even when it felt OTT with the visuals, it still somehow worked and I didn't feel beaten down or tired as sometimes can happen with visual overload. Animation wise it mixed many styles and approaches very well. It managed to be funny, fun, engaging, and enjoyable all the way through. In terms of narrative it took the risk to be silly with its alternative Spider-Men, but was able to balance that with an engaging and reasonably serious core narrative. What pleased me was how creative it was in several areas of production. Coming to it outside of the hype and awards, I was open to what to expect, and was pleasantly surprised.

The hype gave me pause but at the same time made me wait so that it had time to settle into reality. There was a lot of hype about this film, which surprised me because when I first glanced at the trailer I just dismissed what I saw as a direct-to-TV film.

Spider man into the spider verse movie wallpaper